The Caribbean Zone
is listed in the Arizona Commission on the Arts Artist Roster.

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Caribbean comes to Green Valley Park, Payson, Arizona as Students re-create Carnival Village.


By Richard Haddad - Payson Roundup Publisher

People at Green Valley Park Friday afternoon witnessed angels and eagles walking among fairies, dancing flames and skipping musical notes.

The spectacle was part of a special event hosted by Julia Randall Elementary School and the culmination of a week-long artist-in-residence program, mixing education and entertainment.

During the week, students, teachers and parents took part in workshops and demonstrations of steel drum playing and carnival costume making under the direction of Rawle Fraser and Marsha Thomas of the Phoenix-based "Caribbean Zone" steel drum group.

"It was non-stop excitement," acting principal Will Dunman said. "Students wanted to learn. Many students really came out of their shells and were very creative with their costumes and the questions they asked the instructors.

Costumes were related to the music being played during the festival, referred to as a Caribbean Carnival Village. The more elaborate costumes, such as an eagle with an 18-foot wingspan, were provided by Caribbean Zone and came from past Fiesta Bowl celebrations.

The workshops and carnival involved the entire JRE student body and were made possible through a grant from the Arizona Arts Commission with matching funds from Credit for Kids.

During the final event at the park Friday, JRE fifth grade students presented an energetic musical performance on authentic steel drums.

"The drums were cool," said JRE student Sean Ford. "They looked really complicated to play at first. I was really glad we got to do this."

"I saw students that haven’t been exposed to a lot of different cultures get really excited about this," Dunman said. "It was very well received by our students and the community. We thank the people who came out to watch and the town parks and recreation department for their support."

This program was brought to Payson through the efforts of JRE Principal Ardyth Potter, who had coordinated a similar activity in Blue Ridge. Potter was unable to attend the event.

"We’ve got lots of pictures for her so she’ll see it was a huge success," Dunman said.



Islands in the desert
Caribbean transplants share their culture

By Jenni Dillon

The Arizona Republic

Aug. 31, 2001

"Sit down, if you can find a spot," Marsha Thomas says, leading the way into her and Rawle Fraser’s west Phoenix home.

She’s not kidding. She passes through a studio on the way to the kitchen. The room to the left is filled to the ceiling with wire costume frames and bright, glittery fabrics. To the right, a maze of steel drums takes the place of couches and coffee tables.

The small kitchen appears to be the only part of the house not overtaken by carnival paraphernalia. But at times, even that haven is jammed with Caribbean cuisine and students.

Since 1998, Thomas and Fraser have run Caribbean Zone, an organization designed to bring Caribbean culture to life in Arizona through educational programs and community events. The house is a testament to their dedication.

"We’ve kind of grown out of where we are," Thomas said. "We’re looking at different places, but a lot are our of our cost range."

In the meantime, a cramped house isn’t about to halt their work.

Caribbean Zone uses an artist-in-residence program, steel drum lessons, cooking workshops and community outreach events to teach people about Caribbean culture.

"We try to bring three main aspects of the culture," Fraser said. "The costumes and carnival, the steel drums and cuisine."

Though programs are for all ages, much of the organization’s work focuses on children.

The artist-in-residence program allows Fraser and Thomas - he and she are both natives of Trinidad and Tobago - to go into schools and work with teachers to make the Caribbean culture real to the students. Children learn about the geography and history of the Caribbean. They also learn to play steel drums, help create carnival costumes and even cook Caribbean food.

"The culture is rich. If you go to Trinidad at carnival (the yearly period of celebration just before lent), you’ll see a little bit of every culture," Thomas said. In America, children need to see how other cultures perceive them and how they can relate."

Claire Liston’s 11-year-old daughter, Alexia, learned about the program when Caribbean Zone came into her school and has continued with the program outside the classroom.

"My daughter and our family like the exposure to different and diverse cultures," said Liston, of Phoenix. She gets to become friends with children from different cultures."

Alexia is a member of Caribbean Zone’s Junior Steel Drum Serenaders and has performed with the group at the Orpheum Theatre, in the Fiesta Bowl parade and in other community events.

"It’s a full program, so she gets the experience of Caribbean cooking, gets to participate in costume making, gets to march in parades and has a chance to perform and get used to being in front of a large group," Liston said.

Caribbean dishes students learn to prepare include roti, a burritolike dish that includes yellow split peas, and accra, a meatball-size deep-fried mixture of cod and spices. Many are served with rice and fried plantains.

Carol Lloyd is a Phoenix resident born in Trinidad. Her daughters, Kesia, 13 and Kiara, 12 are learning to play the drums.

"It helps my kids know more about their own culture, though they are born here," Lloyd said.

The girls also get a chance to help with costumes and to perform. Thomas explained that teaching is the focus of Caribbean Zone. The two make ends meet by catering events and by running the organization out of their home. Eventually, however, they want to find sponsors. Thomas and Fraser would also like to find an outside location for their organization or store and display costumes in a public museum so that more people could be exposed to Caribbean culture.

In the meantime, however, Caribbean Zone will continue education and outreach. The group is looking for more people to make and wear costumes, learn steel drums and participate in the upcoming carnival parade season.

"We’re just trying to keep the culture going," Thomas said. "We can’t take everyone to the Caribbean, so we try to bring the Caribbean here to Arizona."


Colorful Caribbean Business Specializes In Cultural Arts And Activities

Caribbean Carnival Set For October 20 At Margaret T. Hance Park

By Beverly Taylor

Feature Writer

Arizona Informant News Paper

Wednesday, October 16, 2002

Caribbean Zone is a smaller version of the traditional Trinidad Carni-val Village. A big part of the festivities include steel drums. Steel bands originated in Trinidad and developed from a scarcity of available instruments during World War II, plus the lack of necessary funds to purchase musical instruments.

Trinidad, West Indies is where Marsha Thomas was born. She is co-owner of the Caribbean Zone, a Carib-bean arts venture with costume designer Rawle Fraser.

On October 20, 2002 the Caribbean Carnival will take place at the Margaret T. Hance Park at 3rd Street and Moreland from 10 a.m. to 8 p.m. This event like many others coordinated and organized by Thomas and Fraser requires lots of time and preparation, which includes costumes.

"This will be our first festival in Phoenix," Thomas said. "We’ve had people in costume for the last Fiesta Bowl Parades for 2000 and 2001, when we won best costume. But the highlight of the carnival will be the parade itself. We want people to come and rent a costume from us to wear and be a part of the Caribbean event."

The Caribbean carnival will feature colorful events and activities for the entire family. Caribbean Zone lets people see how things are in Trinidad.

A pan yard, in Trinidad, is a large area where steel drums are set up for practice sessions. When Thomas was growing up, she said she wanted nothing more than to be able to play the steel drums. But her dream is to sing on the Savannah Stage, one of the biggest performance platforms in the world.

Trinidad’s culture also includes fire-eating, the limbo, stilt dancers, and the pageantry of colorful costumes. Her business partner, Fraser, is not just a costume designer. He is also an instructor and an entertainer.

"We take our costumes to Las Vegas and Los Angeles for special shows," Fraser said. "We’re listed on the Artist’s Roster, which is produced by the Arizona Commission for the Arts."

According to Thomas, she handles the non-profit side of the business while Fraser mainly designs the costumes. Thomas and Fraser work closely together with the Isaac Middle School at 35th Avenue and McDowell. She said they have a good parent support group, but additional help is needed to work with and supervise the youngsters.

Thomas said, "We’ve been trying to get sponsorship for the last two or three years. We work with about 750 kids per month. Usually we work with them for two weeks at a time. But there are some we work with on a continuous basis."

Thomas and Fraser costume approximately 200 children every February during a unique parade held in the west Valley. They have also worked with the Future Development and Performing Arts Academy at 16th Street and Southern.

Currently, the Caribbean Zone is in need of donated warehouse space for costume and instrument storage. A truck large enough to accommodate the transport of at least 30 music pieces and large costumes is also needed. Additional cooking areas as well as a copying machine are also sought.

"We can also use donated T-shirts for our youth band members," Thomas said. "If we could get people in the community who have welding skills to help out, that would be very helpful to us. We need welders to make out instrument racks and wheels."

The upcoming carnival will include a science booth where marine life that is native to Trinidad can be viewed. It will be a day of education and fun combined.

"Some people are unaware that our instruments are hand-made," Thomas said. "People who see our costumes are totally astounded. If you could see some of the work that the kids helped produce, you would be amazed. Right now, we are just financially and space strapped. If we had more room, we could have more kids come in to play the instruments and work on making costumes.

According to Thomas, the Adopt-A-Drum program allows parents to rent drums so their children can practice. She said there is one basic requirement and that is that the child must demonstrate commitment and self-discipline.

Caribbean Zone also includes a catering service with foods native to Trinidad. Fraser said the venture has grown, but getting funding for community type projects is often difficult. Oftentimes Thomas and Fraser must reach into their own pockets in order to bring certain events to fruition.

"When I tell people we go into our own pocket some people laugh," Fraser said. "But we are deeply committed to this and find it very rewarding, because we appreciate the wonderful exposure that we provide. And the opportunity to meet other people from the Caribbean is just wonderful."

Fraser pointed out that he and Thomas travel to area schools often to give instruction on Caribbean geography.

"Recently, we had a carnival event up in Flagstaff,’ Fraser said. "During the summer we visited more than 15 schools in addition to those within the Isaac School District. We do what we do because it is uplifting and encouraging for young people. For additional information call 602-565-0378.


WEST VALLEY FINE ARTS COUNCIL

January 11, 2003

Dear Marsha and Rawle,

On behalf of the West Valley Fine Arts Council, it is my pleasure to thank you for participating in the 2002-03 Arts Advantage Series. Your presentation of Caribbean music and culture was received well by everyone involved. The aim of Arts Advantage is to expose fourth grade students to a wide range of arts experiences to raise their awareness of arts before they make their 5th grade elective choices. Caribbean Zone certainly made the students aware of steel drums as a new instrument, evolved in adversity to great result.

In addition, I would like to thank you for working with the dance students to incorporate movement and visual spectacle into the presentation. Many children in the audience remarked that they loved the costumes, and you heard the enthusiasm generated by the interaction throughout the limbo! The dancers also appreciated the opportunity to demonstrate their developing improvisation skills in a live situation.

I look forward to hearing of the continuing successes of Caribbean Zone in the future. In the meantime, if I can be of any further assistance, please do not hesitate to contact me.

Yours sincerely,

Kris Darroch, Programs Manager

West Valley Fine Arts Council